https://gdl525.com/roomtemperature 2026-03-24T16:22:18+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2855300858661029119919663755885/Room-Temperature_Dennis-Cooper-Zac-Farley.jpg https://gdl525.com/amleto 2026-03-24T16:22:18+00:00 always 0.5 https://freight.cargo.site/t/original/i/C2855183336520570852621788000877/ROMEO-CASTELLUCCI--SOCIETAS-RAFFAELLO-SANZIO.jpeg https://gdl525.com/jerk 2026-03-24T11:27:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2849383520047611265721100022381/shellac-jerk-image-5314-scaled.jpg https://freight.cargo.site/t/original/i/X2855226401090246970149869859437/shellac-jerk-image-5023-copyright-compagnie-des-indes-shellac-shellac.png https://gdl525.com 2026-04-05T16:12:28+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2847466858438977767899148989037/FINAL-FLYER.jpg https://freight.cargo.site/t/original/i/C2853688056081975646858837897837/shellac-jerk-image-5023-copyright-compagnie-des-indes-shellac-shellac.png https://freight.cargo.site/t/original/i/E2855110463783359051534411641453/T.A-DECOR.png https://freight.cargo.site/t/original/i/X2855113447212171580727613600365/Room-Temperature_Dennis-Cooper-Zac-Farley.jpg https://freight.cargo.site/t/original/i/W2855114085506410019225518617197/ROMEO-CASTELLUCCI--SOCIETAS-RAFFAELLO-SANZIO.jpeg https://freight.cargo.site/t/original/i/M2855236303892761547795882979949/GDL525_1st_2026.jpg https://gdl525.com/incorporations 2026-04-05T16:12:27+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2675211031823303885634991960685/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-1.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/D2675211032063111558593216131693/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-2.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/P2675211032266025743404021199469/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-13.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, detail, rubber, plastic, wood, steel, aluminium, paper, card, rope, chalk. https://freight.cargo.site/t/original/i/M2675211032081558302666925683309/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-3.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, detail, 2-channel synced videos, stripped-down TFT monitors, custom fabricated hinge-mounts, dull-tech media players, multi-channel audio, HD video, sound, color, 1.48 min, loop. https://freight.cargo.site/t/original/i/B2675211032100005046740635234925/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-4.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/V2675211032173792023035473441389/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-10.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, detail, rubber, plastic, wood, steel, aluminium, paper, card, rope, chalk. https://freight.cargo.site/t/original/i/D2675211032302919231551440302701/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-11.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/W2675211032155345278961763889773/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-12.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, detail, rubber, plastic, wood, steel, aluminium, paper, card, rope, chalk. https://freight.cargo.site/t/original/i/G2675211032192238767109182993005/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-9.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/L2675211032136898534888054338157/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-7.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/Z2675211032210685511182892544621/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-17.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/E2675211032118451790814344786541/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-8.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/Z2675211032284472487477730751085/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-16.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, detail, rubber, plastic, wood, steel, aluminium, paper, card, rope, chalk. https://freight.cargo.site/t/original/i/V2675211032229132255256602096237/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-14.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, detail, rubber, plastic, wood, steel, aluminium, paper, card, rope, chalk. https://freight.cargo.site/t/original/i/J2675269657863366399730012009069/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-15.jpg Michael Stevenson, Building and Training a Demon Expulsion Team, 2017/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/S2675271498516383562616491356781/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-24.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, detail, steel, plastic, synthetic fabrics, flat screen, 5.38 min, loop. https://freight.cargo.site/t/original/i/B2675271498479490074469072253549/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-22.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/N2675271498461043330395362701933/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-21.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/C2675271498442596586321653150317/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-20.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/C2675271498497936818542781805165/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-23.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/B2675271498313469377805686289005/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-19.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, detail, steel, plastic, synthetic fabrics, flat screen, 5.38 min, loop. https://freight.cargo.site/t/original/i/V2675272303421614474859066569325/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-5.5.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, installation view, GDL525, Amsterdam. https://freight.cargo.site/t/original/i/U2675272448080981500889370341997/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-6.jpg Tomasz Skibicki, bateria: ERLEBNIS 3#, 2018/2025, detail, 2-channel synced videos, stripped-down TFT monitors, custom fabricated hinge-mounts, dull-tech media players, multi-channel audio, HD video, sound, color, 1.48 min, loop. https://freight.cargo.site/t/original/i/D2675277742259637167383265030765/INCORPORATIONS_SKIBICKI_STEVENSON_GDL525-18.jpg Michael Stevenson, Like a Fish Needs a Bicycle, 2020/2025, detail, steel, plastic, synthetic fabrics, flat screen, 5.38 min, loop. https://gdl525.com/t-a-décor-a-chamber-play 2026-03-24T11:27:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/V2598882488641837031089649365613/TA-DECOR_A-Chamber-Play_1.jpg T.A DÉCOR, A Chamber Play, installation view, retrieved wood, wooden panels, acrylic paint, metal, sound, environmental installation, dimensions variable https://freight.cargo.site/t/original/i/S2598882863719484281825962373741/TA-DECOR_A-Chamber-Play_2.jpg T.A DÉCOR, A Chamber Play, installation view, GDL525, Amsterdam https://freight.cargo.site/t/original/i/G2598883035901393465830917157485/TA-DECOR_A-Chamber-Play_3.jpg T.A DÉCOR, A Chamber Play, installation, view, GDL525, Amsterdam https://freight.cargo.site/t/original/i/B2598883221309618150685620449901/TA-DECOR_A-Chamber-Play_4.jpg T.A DÉCOR, A Chamber Play, installation, view, GDL525, Amsterdam https://freight.cargo.site/t/original/i/M2598883371964177000671528497773/TA-DECOR_A-Chamber-Play_5.jpg ‘Four A.M., Tableaux 1/10#’, 2025. Slide-show, 35mm digitally transferred sequenced photographs, color, synchronized soundtrack, loop, 05’11’’. https://freight.cargo.site/t/original/i/J2598883597899898415466116690541/TA-DECOR_A-Chamber-Play_6.jpg T.A DÉCOR, Untitled 3,4,7, inkjet print on paper, GDL525, Amsterdam https://freight.cargo.site/t/original/i/I2598883759622503709677755708013/TA-DECOR_A-Chamber-Play_7.jpg T.A DÉCOR, Untitled 3, detail, inkjet print on paper, GDL525, Amsterdam https://freight.cargo.site/t/original/i/K2598883966226037335224733807213/TA-DECOR_A-Chamber-Play_8.jpg T.A DÉCOR, Untitled 4, detail, inkjet print on paper, GDL525, Amsterdam https://freight.cargo.site/t/original/i/Z2598884025882807669601423733357/TA-DECOR_A-Chamber-Play_9.jpg T.A DÉCOR, Untitled 7, detail, inkjet print on paper, GDL525, Amsterdam https://freight.cargo.site/t/original/i/Z2598884182606345319837774262893/TA-DECOR_A-Chamber-Play_10.jpg T.A DÉCOR, A Chamber Play, 2025. color, sound, video, loop, 16’10’’. https://freight.cargo.site/t/original/i/P2598884264952610864877212676717/TA-DECOR_A-Chamber-Play_11.jpg T.A DÉCOR, stills from A Chamber Play, 2025. color, sound, video, loop, 16’10’’. https://freight.cargo.site/t/original/i/A2598884347446450362506327503469/TA-DECOR_A-Chamber-Play_12.jpg T.A DÉCOR, stills from A Chamber Play, 2025. color, sound, video, loop, 16’10’’. https://freight.cargo.site/t/original/i/I2598884439698617475127795135085/TA-DECOR_A-Chamber-Play_13.jpg T.A DÉCOR, stills from A Chamber Play, 2025. color, sound, video, loop, 16’10’’. https://freight.cargo.site/t/original/i/T2598884533777012251046508376685/TA-DECOR_A-Chamber-Play_14.jpg T.A DÉCOR, stills from A Chamber Play, 2025. color, sound, video, loop, 16’10’’. https://freight.cargo.site/t/original/i/F2598884647556529697687022744173/TA-DECOR_A-Chamber-Play_15.jpg T.A DÉCOR ‘Charlotte - Room 1’, 2025. Retrieved wood, wooden panels, acrylic paint, metal, sound, environmental installation, dimensions variable. https://freight.cargo.site/t/original/i/Z2598884696348167772648786768493/TA-DECOR_A-Chamber-Play_16.jpg T.A DÉCOR ‘Charlotte - Room 1’, 2025. Retrieved wood, wooden panels, acrylic paint, metal, sound, environmental installation, dimensions variable. https://freight.cargo.site/t/original/i/W2598920191277966499388653449837/TA-DECOR_A-Chamber-Play_17.jpg T.A DÉCOR, stills from A Chamber Play, 2025. color, sound, video, loop, 16’10’’. https://gdl525.com/deposition-2 2026-03-24T11:27:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/U2456686957501577113647463150189/Deposition2_gdl525.png https://freight.cargo.site/t/original/i/R2485516461198608213235462451821/3.jpg https://freight.cargo.site/t/original/i/T2485523913369619342641252938349/Screenshot-2025-08-04-at-13.54.33.png https://freight.cargo.site/t/original/i/W2485528756894317288410801648237/Screenshot-2025-08-04-at-13.59.31.png https://freight.cargo.site/t/original/i/N2485531186736340165580359610989/Screenshot-2025-08-04-at-14.00.56.png https://freight.cargo.site/t/original/i/D2485532064801358074155016532589/Screenshot-2025-08-04-at-14.01.19.png https://freight.cargo.site/t/original/i/X2485532646537879182659436294765/Screenshot-2025-08-04-at-14.01.39.png https://freight.cargo.site/t/original/i/J2485533570885777972171358220909/Screenshot-2025-08-04-at-14.03.49.png https://freight.cargo.site/t/original/i/P2485701174479103579078816838253/Screenshot-2025-08-04-at-16.15.55.png https://freight.cargo.site/t/original/i/V2485711564109641005993606656621/DSCF8713.jpg https://freight.cargo.site/t/original/i/X2485712214855431694245459014253/DSCF8768.jpg https://gdl525.com/devotion 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/H2412203000188122440470402314861/Devotion_room1-less-blue.png DEVOTION: Le principe de réalité, installation view (2025), GDL525. [The living room is lit by two neon lights illuminating Zuzanna Bartoszek’s paintings Drawing and Children’s Crusade (After Wojtkiewicz) on the left side of the picture frame. In the middle, on a white stand, an Hantarex CRT Monitor (1992), showcases a video portait of Patrizia Vicinelli by italian independent filmaker Gianni Castagnoli alternating with a clip of the poet reciting on stage an extract of Non Sempre Ricordano, in a theater in the late 80’s in the Bassa Emiliana. In the right side of the room prints of Ava Seymour series Rubber Love (1994-1996) are installed in a white wooden and glass cabinet and framed on the wall]*. https://freight.cargo.site/t/original/i/J2412203721972324556577737945709/Devotion_Room3.png DEVOTION: Le principe de réalité, installation view (2025), GDL525. [On the monitor a frame of Gianpaolo Castignoli’s video La Notte e Il Giorno, in the display case and on the wall, Ava Seymour’s prints from the Rubber Love series]. https://freight.cargo.site/t/original/i/W2412203992918101511223632081517/Devotion_Room2.png DEVOTION: Le principe de réalité, installation view (2025), GDL525. * https://freight.cargo.site/t/original/i/U2412204213910095514264060441197/Devotion_TV.png Gianni Castagnoli, La Notte e il Giorno, colour, sound, 3.30 min, extract, Courtesy of Archivio Giovanni Castagnoli, 1976, GDL525. [On the monitor a still of La Notte e Il Giorno, an excerpt of the 67 minutes film shot between 1973 and 1976, during a cross-continental journey through Europe, Africa and America, rhitmically edited on Alvin Curran’s original music score. The frame portrays a ring wore by Patrizia, the director lover and co-traveller. The clip functions as an intimate short portrait of the poet, juxtaposing and sequencing details and close-ups in a play of frames opening and closing continuosly]. https://freight.cargo.site/t/original/i/A2412204432983628133638695432813/Devotion_Ava1.png Ava Seymour, Rubber Love, C-Prints on paper, dimensions variable, 1994-1996, GDL525. [The series consist of a variety of figures cut up from issues of The Rubberist megazine into spatial backgrounds and scenarios, sourced, recomposed and remixed from various 1970’s interior design megazines. In the picture, an installation shot of the display of the work]. https://freight.cargo.site/t/original/i/H2412204830086687808384213070445/Devotion_AvaCloseup.png Ava Seymour, Rubber Utopia, Rubber Love, C-Print on paper, 210x242cm, 1994-1996, GDL525. Ava Seymour, Rubber Chic, Rubber Love, C-Print on paper, 284x218cm, 1994-1996, GDL525. [In Rubber Utopia, Rubber Love, a character dressed in a rubberist diver costume lies in a white ceramic bathtub, looking at the viewer. In Rubber Chic, Rubber Love, set in a Victoria-Style hotel room, a female figure dressed in a red leather costume stands in the middle of the room. Another, seated to the side, is entirely draped in a black leather coat A dog in the lower right corner of the picture-frame looks at the ‘camera’]. https://freight.cargo.site/t/original/i/G2412205443274907562563418337901/devotion_darker-final.png Ava Seymour, Rubber Love, Rubber Love, C-Prints on paper, 245x228cm, 1994-1996, GDL525. [On the left side of the image, a figure wearing a white fetish gas mask and a red shiny coat, draping towards the floor gazes towards another, sitting on a bed concealed beneath a red leather sheet. The interiors resemble a hotel room collaging fragments of different spaces and times in a baroque composition. In the background, outside the window, a figure in black leather, voyeuristically looks in. Also in the background, a portion of a print frames two seated figures in a Renaissance-style salon arrangement, staged around a low, glass modernist table design. On the right, a cut-out from another print appears]. https://freight.cargo.site/t/original/i/A2412206202672020844964529713773/Decotion_better-1.png Ava Seymour, Rubber Butler, Rubber Love, C-Print on paper, 255x227cm, 1994-1996, GDL525. [The scene, set in a vivid pink and white baroque-style 1980’s living room, portrays a ‘’butler’’ dressed in a creamy white trench coat, handling a hat to a woman dressed in a black and red leather suit giving fellatio. A pink curtain block any views from and on the outside, mirroring and doubling the space in the background. Two other images of the series are visible through the scratched glass surface of the case, marking transactions, money, exchange, the fetish]. https://freight.cargo.site/t/original/i/W2412206497432544398769454985837/devotion_44.png Ava Seymour, Milkmade, Rubber Love, C-Print on paper, 240x227cm, 1994-1996, GDL525. [In the picture, a figure in a rubber-milkmaid dress sits on a yellow armchair with hands on her tighs, a clown-like figure in the background stands still, partly in the shadows. The space collages 18th century style wooden design, portraits and furniture with striated and tiger patterned carpet designs and floorings. On the right side of the image, installed in the lower level of a display case and textured by surface scratches, two prints from the series frame other fetish-centered domestic scenes set within mid-century and modern interiors]. https://freight.cargo.site/t/original/i/I2412206595440095662388302721645/devotion_44__final_post.png Ava Seymour, Aunt Daisy, Rubber Love, C-Print on paper, 1994-1996, 220x200cm. Ava Seymour, Family Portait, Rubber Love, C-Print on paper, 1994-1996, 328x267cm. [ Set against flowery azure wall-sized tapestries, a mirror, a chimney, and a candelabra, a back-room high-end mid-century interior is punctuated by a wooden figure seated on a chair. Their features are hidden in deep shadow, with a peluche creeping out from their legs—conveying the discomfort of an uncanny absence-presence and the ironic grotesqueness of a strange assemblage-centered composition. On the right side, in the lower section of the display case, a black-and-white image shows three figures in rubber gear looking directly at the camera, the reds, blacks, and pinks of a handprint emerging as the only flashes of color]. https://freight.cargo.site/t/original/i/E2412208002022778026815322993261/Devotion_vitrine.png Ava Seymour, Rubber Love, C-Prints on paper, dimensions variable, 1994-1996, GDL525. [In the foreground, the display of Rubber Love. In the background a large glass window frames the exterior of GDL525: the repetitive modular concrete pattern that marks the concrete façade of the residential complex and neighbouring apartments and windows]. https://freight.cargo.site/t/original/i/E2412898762859645850901237084781/Devotion_Zuzanna_red1.png Zuzanna Bartoszek, Children’s Crusade (After Wojtkiewicz), oil on canvas, 100x140cm, 2025, GDL525. [The painting depicts an historical/mythical event: a crusade of Children, prostitutes and vagabonds, driven by faith and hope, ‘1212’, the date in yellow letters is centered on a red background with figures painted in black, a mass walking towards the viewer and away]. https://freight.cargo.site/t/original/i/E2427110999959923395697236652653/Screenshot-2025-06-28-at-17.50.44.png https://freight.cargo.site/t/original/i/G2427111137222146048170010227309/Screenshot-2025-06-28-at-17.50.17.png https://freight.cargo.site/t/original/i/X2427134373663318496406703321709/Screenshot-2025-06-28-at-22.37.49.png Patrizia Vicinelli, Non Sempre Ricordano, 3.37 min, color, sound, courtesy of Le Lettere, Florence, 1985, GDL525. [The first two frames are from the clips of Patrizia Vicinelli reciting on stage an excerpt of the epic poem Non Sempre Ricordano, in a theater in the mid-1980’s in the Bassa Emiliana, the last frame is taken from Gianpaolo Castagnoli’s film and features one of the many glass centered shots, dissolving into the abstact texture of its subject]. https://freight.cargo.site/t/original/i/P2428003914127195960626760790637/Screenshot-2025-06-29-at-11.45.37.png Zuzanna Bartoszek, Drawing, 2025, oil on canvas, 100x140cm, 2025, GDL525. [A slightly hunched figure drawing and marking the wall of a cave as their shadow doubles, projected in a candle-like light on the wall. Signs and symbols erupt from and away the picture plane]. https://freight.cargo.site/t/original/i/Z2430261543619293962872084116077/5crop.jpg Aunt Daisy, Rubber Love, Ava Seymour, C-Print on paper 220x200mm https://freight.cargo.site/t/original/i/F2430262626848999459244374110829/4crop.jpg Rubber Butler , Ruber Love, Ava Seymour, C-Print on paper, 255x227mm https://freight.cargo.site/t/original/i/H2430263061546523556209957941869/1-crop.jpg Family Portrait, Rubber Love, Ava Seymour, C-Print on paper , 328x267mm https://freight.cargo.site/t/original/i/G2430263372189693757478807155309/12crop.jpg Rubber Utopia, Rubber Love, Ava Seymour, C-Print on paper, 210x242mm https://freight.cargo.site/t/original/i/R2430263809248401095879213593197/14crop.jpg Rubber Dementia, Rubber Love, Ava Seymour, C-Print on paper , 212x166mm https://freight.cargo.site/t/original/i/W2430264290210359329708352877165/15gggcrop.jpg Christmas Suit, Rubber Love, Ava Seymour, C-Print on paper , 233x167mm https://freight.cargo.site/t/original/i/B2430266021621758088086867554925/3.jpg The living room, Rubber Love, Ava Seymour, C-Print on paper 234x322mm https://gdl525.com/rita-p-mhm,-mhm,-live 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2412845289142777076473659798125/DSCN7944.JPG https://freight.cargo.site/t/original/i/X2412845496410393488674181755501/DSCN8015.JPG https://freight.cargo.site/t/original/i/G2412845599601479837005413495405/DSCN8012.JPG https://freight.cargo.site/t/original/i/F2412845757763863524991109050989/DSCN7990.JPG https://freight.cargo.site/t/original/i/G2412845935129307793708447838829/DSCN8012.JPG https://freight.cargo.site/t/original/i/C2427118656483965373657439941229/DSCN7971.JPG https://freight.cargo.site/t/original/i/T2427119286421828746764918076013/DSCN7995.JPG https://freight.cargo.site/t/original/i/G2427119780056700159232519320173/DSCN7981.JPG https://freight.cargo.site/t/original/i/X2427121412206169056979936752237/DSCN8038.JPG https://gdl525.com/greed-1 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/X2412505593660378544314029322861/-Madeleine-Hines_Scratching-and-Creasing-Throughout3.jpg Madeleine Hines, Black - Scratching and Creasing Throughout, oil on linen, 91.4x121.9cm, 2025, GDL525. [The painting by Madeleine Hines reproduces a close-up of the sole of a shoe — an accumulation of scratches, light reflections, and dirt — abstracted from a found image of the shoe-piece re-circulating and sold online]. https://freight.cargo.site/t/original/i/B2412505675416348278994762084973/Madeleine-Hines_Scratching-and-Creasing-Throughout2.jpg Madeleine Hines, Black - Scratching and Creasing Throughout, oil on linen, 91.4x121.9cm (detail), 2025,GDL525. [A detail of the piece abstracts a dense close-up pattern of signs of wear at the center of the sole ]. https://freight.cargo.site/t/original/i/R2412505824650507835305034658413/Madeleine-Hines_Deal-of-the-Century2.png Madeleine Hines, Red - Deal of the Century, oil in linen, 30.5x40.6cm, 2025, GDL525. [The image centers on the painting—an abstract shape on a red background—with visible, still-wet brushstrokes]. https://freight.cargo.site/t/original/i/M2412505930165883936923669901933/Madeleine-Hines_Deal-of-the-Century1.jpg Madeleine Hines, Red - Deal of the Century, oil on linen, 30.5x40.6cm, 2025, GDL525. [A red painting depicts a crust of dirt and a chewingum stuck to the sole of a shoe, reproduced from a found photograph used to advertise the piece on a resale platform, part of the same series. The painting is installed above the couch centered in the middle frame of the image]. https://freight.cargo.site/t/original/i/H2413428211254573942280013886061/Jacky2.png Jacky Connolly, Descent into Hell, 37.53 min, colour, sound, 2022, GDL525. [The still of the video frames a character from behind in a deserted casino, dressed in a short-sleeved, rumpled shirt and bathed in blue light, on a large carpet patterned by lines bending and foldings. In the background empty seatings and slot machines]. https://freight.cargo.site/t/original/i/L2413428531637625014467506352749/Jacky1.png Jacky Connolly, Descent into Hell, 37.53 min, colour, sound, 2022, GDL525. [The shot from the top of the room focuses on the interior design elements: a black-striped white carpet, black seating arranged cut into rounded shapes, a red curtain on the left side of the frame, and a standing lamp]. https://freight.cargo.site/t/original/i/Q2413428690408751256885617111661/Jacky3.png Jacky Connolly, Descent into Hell, 37.53 min, colour, sound, 2022, GDL525. [Against a red-clouded sky, an airplane nosedives downward. The clouds swirl in circular shapes as the horizon lights up with thunders]. https://freight.cargo.site/t/original/i/J2413430780185047135219591033453/8F4A4446.JPG GREED, installation view (2025), GDL525. [ The image centers on the table and script White light from a cloudy day filters through the window, casting a shadowed, contrasted glow on Madeleine’s painting from behind. A rounded, slightly prominent glass light fixture is installed in the middle of the living room]. https://freight.cargo.site/t/original/i/H2413433998477805210882804167277/p1.png Becket MWN, Window Tongues, a text performed on April 25th with Annie Goodner, Huub Kooijman, Iiris Riihimaki, Nadia de Vries, Val Dachev, 2025, GDL525. [First page of the print of the scripts by Becket MWN, leftovers of the six-voice perfomance. A note on the top left side corner of the paper and a yellow marker denotes the reader]. https://freight.cargo.site/t/original/i/A2427087215078602892001864462957/Screenshot-2025-04-29-at-00.57.07.png https://freight.cargo.site/t/original/i/L2427087408234460087814579434093/Screenshot-2025-04-29-at-00.58.48.png Becket MWN, Window Tongues, 2025. [Stills from a video recording of the performance, a projector screens on the readers, doubling them in their shadows, alternating white frames with different images functioning as source references, inputs and juxtapossiotion to the writing of the text]. https://freight.cargo.site/t/original/i/Q2427087860124349661477465371245/Screenshot-2025-04-29-at-01.00.25.png https://freight.cargo.site/t/original/i/J2507595617860988033243118187117/Screenshot-2025-07-16-at-20.46.34.png Madeleine Hines, Black - Scratching and Creasing Throughout, oil on linen, 91.4x121.9cm. https://gdl525.com/greed-opening 2026-03-24T11:27:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2427081640823031954375847588461/P1010304.JPG https://freight.cargo.site/t/original/i/A2427081907931886141690154988141/P1010307.JPG https://freight.cargo.site/t/original/i/W2427086544539455812659663221357/Screenshot-2025-04-29-at-00.40.24.png https://freight.cargo.site/t/original/i/A2427087215078602892001864462957/Screenshot-2025-04-29-at-00.57.07.png https://freight.cargo.site/t/original/i/L2427087408234460087814579434093/Screenshot-2025-04-29-at-00.58.48.png https://freight.cargo.site/t/original/i/Q2427087860124349661477465371245/Screenshot-2025-04-29-at-01.00.25.png https://gdl525.com/fourth 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2413448273693620835830127276653/1.JPG FOURTH. Installation view (2024/25), GDL525. Photo: Lynn Suemitsu. [An installation view shows the living room of GDL525. In the background a bookshelf re-arranged as audio-visual display case for the video, sound and script of THIRST, MRZB. In the front an arrangment of dry-walls by Armature Globale, the chair has been outsourced from the apartment furniture assortment, the standing lamp installed as an installation-motiv] https://freight.cargo.site/t/original/i/T2413448868435096516299780928109/2.png FOURTH. Installation view (2024/25), GDL525. Photo: Tomasz Skibicki. [The photograph centered on a corner of the living room frames Sean Mullins painting One Divides into Two. A standing lamp floods the ceiling with a round beam of light] https://freight.cargo.site/t/original/i/R2413449652698420810061367882349/5.png Sean Mullins, One Dividies into Two, 2022. Oil on canvas. Photo: Tomasz Skibicki. [Painting of a shirtless figure bent over two paper boats on a brick floor, the face hiding under a straw hat, the shadow stretching away under a beating sun] https://freight.cargo.site/t/original/i/J2413450527848853154989915648621/3_1.JPG MRZB, THIRST, 2024. Installation on 2 RCT monitors, sound, scripts, OST CD-Release. Photo: Lynn Suemitsu. [The photographs frames two monitors installed on black and alluminium shelves at eye sight, an A4 print of the script of the film, two speakers and an amplifier. The image on the left monitor frames a character dressed in a suit, giving her back to the camera - the image on the monitor on the right frames the same scene from another perspective. The display has been outsourced from the apartment furniture assortment and re-arranged as a set-up for the piece] https://freight.cargo.site/t/original/i/I2413451190234539353752495075949/3_2.jpg MRZB, THIRST, 2024. Scripts and CD release. Photo: MRZB. [Details of the script of THIRST and CD release containing the OST of the film produced by Rin Suemitsu, with vocal perfomances by Jette Loona Hermanis, Katia Kabalina, Mina Tomic and Pietro Agostoni] https://freight.cargo.site/t/original/i/X2413451386452556065800995615341/4_2.jpg MRZB, THIRST, 2024. Scripts, 30 A4 pages, single copy. Scan. [Scan of the first page of the script of THIRST, a multi-media work (MRZB)] https://freight.cargo.site/t/original/i/E2413452975934705921058220159597/6.png FOURTH. Installation view (2024/2025), GDL 525. Photo: Tomasz Skibicki. [The photograph frames a kitchen counter, colours have been doubled on a clamp-like sculpture by Tomasz Skibicki embracing the kitchen arch. In the background a portion of the living room: a wall piece by Collezzione Nancy Delroy, a low leather black couch and a standing lamp, the inside is reflected on the window which opens the view to the ant-like outside architecture of the building and into the night] https://freight.cargo.site/t/original/i/V2413453047895454552599181013613/7.png Tomasz Skibicki, 3BATT6ERIA9, 2024. Acrylic on plywood. Photo: Tomasz Skibicki. [Sculptural piece produced by Tomasz Skibicki site-specifically for the living room and for the exhibition: clamp-like architectural intervention, mimetic disfunctional sculptural design] https://freight.cargo.site/t/original/i/F2413453203456847326191829791341/11.png FOURTH. Installation view (2024/2025), GDL 525. Photo: MRZB, Lynn Suemitsu. [Installation view - two pictures side by side, the right side frames the corridor-like-space generated by Armature Globale dry walls arrangments, on the background Tomasz Skibicki’s sculpture, the left side photograph Tomasz Skibicki’s architectural and sculptural embrace and in the lower side the kitchen counter] https://gdl525.com/sensor 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2413456303118594263828916482669/Screenshot-2025-03-29-at-12.22.45.png sensor. Installation view (2024), GDL525. Photo: MRZB. [Photograph taken before the live perfomance by Golin and Ivan Cheng: in the frame two speakers in the corners of the room, a small-low glass table, a bottle and a glass of wine, Golin and Ivan looking at the camera] https://freight.cargo.site/t/original/i/Y2413457421895175590239512441453/4.JPG sensor. Installation view (2024), GDL525. Photo: MRZB. [Photograph taken before the live perfomance of Golin and Ivan Cheng, rehearsing the piece before the event. The image frames a corner of the room, Golin looking at the camera and Ivan preparing the clarinet, the black leather couch, a speaker, the mic-stand. On the left-side a wall piece by Collezzione Nancy Delroy hanged on the window] https://freight.cargo.site/t/original/i/Z2413458542239730162915420287597/2.png sensor. Installation view (2024), GDL525. Photo: MRZB. [Photograph of the empty living room in low-lights before the performance, a white wall couch outsourced from GDL525 furniture assortment, a glass table with a bouquet of Hydrangea flowers. On the right, two wall pieces of pulled and stretched white leather by Collezzione Nancy Delroy, light filtering through the glass-wall in the picture background opening a vista on the repetitive structuralist pattern of the building] https://freight.cargo.site/t/original/i/M2413460329987485322402905600621/5.png <div style="text-align: left;">sensor. Live Perfomance (2024), GDL525. Photo: Tomasz Skibicki. [Photograph in a low-light long exposure of Golin and Ivan Cheng performing sensor] </div> https://gdl525.com/ccs 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/F2413462359959436913770513183341/3.jpg Circuit City Showroom. Installation view (2023), GDL525. Photo: MRZB. [An installation view shows the living room of GDL525. In the middle of the photograph two sculptures by Christiane Blattmann. A black-leather two seaters square couch, a painting by Kira Scerbin. On the right a television installed on a white stand, functioning as a display for MRZB video-work] https://freight.cargo.site/t/original/i/B2413462965934979735129283768941/8.jpg Kira Scerbin, My Bird, 2023. GDL525. Photo: MRZB. [A photograph of a painting by Kira Scerbin, portaying a white bird-like moon on a dark background, flying towards the viewer] https://freight.cargo.site/t/original/i/Q2413463485874908196706705617517/1.jpg Circuit City Showroom. Installation view (2023), GDL525. Photo: MRZB. [An installation view shows the living room of GDL525. On the right, a piece by Temra Pavlovic: printed on photographic paper different abstract patterns intwertwine each others on a vertical scroll. On the floor a cello-case, remains of Shade Théret‘s perfomance. The outside of the building’s concrete repetitive modules shows in the daylight through the glass wall. https://freight.cargo.site/t/original/i/Z2413464038650041109487129342573/4.jpg Christiane Blattmann, Rest in the Furrows of my Skin, 2017. GDL525. Photo: MRZB. [ A photograph of a sculpture by Christiane Blattmann: two elongated vertical sculpture resembling boots illuminated from the top, doubled in their own shadows] https://freight.cargo.site/t/original/i/A2413464552281183097855884538477/6.jpg Temra Pavlovic, OTOTOTOI POPOI DA. 2023. GDL525. Photo: MRZB. [[A vertical photostrip with four visual dimensions: a section of scattered small white spheres photographed in black space, transitioning into diffuse light with white stains smeared downwards, breaking into high-contrast abstract textures from digitally ruptured scans of a fractured glass figurine, concluding with a vertically divided azure grid containing a pattern of circular voids] https://freight.cargo.site/t/original/i/T2413464891443019637079700550253/7.jpg Temra Pavlovic, OTOTOTOI POPOI DA. 2023. GDL525. Photo: MRZB. [Detail of Temra Pavlovic work, OTOTOTOI POPOI DA: the photograph zooms in a detail of Temra’s work, framing a grid-like repetitive pattern, consumed by macroscopic digital and material photographic processes] https://freight.cargo.site/t/original/i/F2413465273585769868046771827309/2.jpg Circuit City Showroom. Installation view (2023), GDL525. Photo: MRZB. [On the left on a LCD screen installed on a white elongated Ikea display furnitue, a still of MRZB videowork Le Derive di Kaspar. On the right, the case of a cello used a prompt for Shade Théret performance. The background of the picture frames the kitchen counter and the arch above it, marking the building’s structuralist repetitive module] https://freight.cargo.site/t/original/i/F2413465697362821473376301101677/5.jpg MRZB, Le Derive di Kaspar (2023), GDL525. Photo: MRZB. [The photograph frames shows an LCD screen with a frame of MRZB videowork Le Derive di Kaspar: the camera in the picture shots a mannequin in an elevator, illuminated by a grid of lights reflected on the glossy metal elevator’s wall] https://freight.cargo.site/t/original/i/L2413492470598235173945325531757/Screenshot-2025-03-28-at-01.42.47.png Shade Théret, I’M GOING TO SLASH IT / JE VAIS LE DÉCHIRER, perfomance, 2023. GDL525. Video: Tomasz Skibici. [3 Stills from a video of Shade Théret‘s perfomance, I’M GOING TO SLASH IT / JE VAIS LE DÉCHIRER, a domestic staging in a two part dance performance of a series of movements and choreographic patterns from the ouvre of the choreograper and artist. Sound, costume and styling by Shade as well as prompt outsourced under Shade’s direction] https://freight.cargo.site/t/original/i/U2413492668568692572996233474669/Screenshot-2025-03-28-at-01.46.07.png https://freight.cargo.site/t/original/i/T2413492841377791055507313013357/Screenshot-2025-03-28-at-01.48.39.png https://gdl525.com/css-video 2026-03-24T11:27:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2413482331179334362826893832813/MRZB, Le Derive di Kaspar https://gdl525.com/ccs-shade 2026-03-24T11:27:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/L2413485833976226287312521540205/Shade Théret, I’M GOING TO SLASH IT / JE VAIS LE DÉCHIRER https://freight.cargo.site/t/original/i/Y2413486939895426994347560022637/Screenshot-2025-03-27-at-23.38.55.png https://freight.cargo.site/t/original/i/O2413487179537079255908345066093/Screenshot-2025-03-27-at-23.34.40.png https://freight.cargo.site/t/original/i/D2413487450224601793522305479277/Screenshot-2025-03-27-at-23.37.29.png https://freight.cargo.site/t/original/i/I2413487852068474695211177882221/Screenshot-2025-03-28-at-01.45.17.png https://freight.cargo.site/t/original/i/V2413488078705172384806729036397/Screenshot-2025-03-28-at-01.48.28.png https://freight.cargo.site/t/original/i/N2413488502740478407168192033389/Screenshot-2025-03-28-at-01.49.12.png https://freight.cargo.site/t/original/i/H2413489754444297528729816937069/Screenshot-2025-03-27-at-23.33.32.png https://freight.cargo.site/t/original/i/J2413490325444813586335277658733/Screenshot-2025-03-28-at-01.42.47.png https://freight.cargo.site/t/original/i/Y2413490486245081676861439095405/Screenshot-2025-03-28-at-01.47.16.png https://gdl525.com/feral-g 2026-03-24T11:27:51+00:00 always 0.5 https://freight.cargo.site/t/original/i/R2413467913646888209210380005997/2.jpg FERAL G. Installation view (2022), GDL525. Photo: Ivan Cheng. [An installation view shows a portion of the living room. The photograph in a bluish light frames a sculpture by Alexander Iezzi, consisting of a black exagonal wooden table leaning lowered on its side with different objects attached on its top and a sculptural lantern-light on the floor, surrounded by wires. In the background in the right side of the picture a collage by MRZB shows the white low-relief of a figure extending in photographic fragments, sculptural excerpts and textiles of different sorts, framed in an alluminium casing] https://freight.cargo.site/t/original/i/N2413468214937559165108486550125/3.jpg FERAL G. Installation view (2022), GDL525. Photo: Ivan Cheng. [In the front, a black elongated leather-wooden chair with a red rag laid on its top, a black bowl of peanuts and a toy-head laid on the seater. On the left, Alexander Iezzi’s work, an assemblage of found, guest-delivered and prepared sculptural objects. On the right MRZB collage hanging on the wall] https://freight.cargo.site/t/original/i/Z2413468565536377030032224563821/5.jpg Alexander Iezzi, Unfun Din Feral G, 2022. GDL 525. Photo: Ivan Cheng. [Details of Alexander Iezzi’s sculpture Unfun Din Feral G. The photographs frame a variety of objects such as a dutch-english dictionary, plastic flowers, stuffed toys, a black and white A4 print, wires, and small size puppet sculpture laid on pillows or squeezed in boxes] https://freight.cargo.site/t/original/i/U2413468894054442238725629293165/1.jpg FERAL G. Installation view (2022), GDL525. Photo: Ivan Cheng. [A photograph taken from the balcony at night shows an installation view of the exhbition, a thin horizontal window cuts the space on the left, a long exposure marks shadows and double the objects after light variations] https://freight.cargo.site/t/original/i/J2413469411688527691089357189741/7.jpg FERAL G. Installation view (2022), GDL525. Photo: MRZB. [The detail frames a low-black-leather two seaters square couch with a collage by MRZB hanged in the background] https://freight.cargo.site/t/original/i/W2413469703036403591258015412845/8.jpg MRZB, Kiki’s Boduir (Spleen at the Verge of Boredom), 2022. GDL525. Photo: MRZB. [A photograph of a collage, different portraits of an imagined representation of the character are juxtaposed and mixed with leather-textiles, fragments of a wig, framed by black feathers] https://freight.cargo.site/t/original/i/H2413470136719356764169573905005/4.jpg MRZB, Kiki’s Boduir (After the Mirrage), 2022, GDL525. Photo: MRZB. [A photograph of a collage, the low relief of feminine figure turning towards the viewer, expanded by textural leather inserts photographic prints and parts of a wig] https://freight.cargo.site/t/original/i/X2413470505894045911318830396013/10.jpg MRZB, A House for the Parts Lost (3 Moons in Scorpio), 2022, GDL525. Photo: MRZB. [A photograph of a collage of prints of miniaturised domestic spaces produced by the Artsit – a bed, a mirror, a harp, a figure behind a window, allegorical bars, a scorpio over-imposed on the images, cased in the frame] https://freight.cargo.site/t/original/i/Q2413470807645885469059675730541/9.jpg MRZB, A House for the Parts Lost (Spleen 6), 2022, GDL525. Photo: MRZB. [A collage of spaces leaking into each other, collaged and stitched together, a line of teeth produces a face, patches of a butterfly, residual process-based material domestically framed signifiers] https://gdl525.com/info 2026-03-24T11:27:51+00:00 always 0.5 https://gdl525.com/left-info-panel---desktop 2026-03-24T12:23:32+00:00 always 0.5 https://freight.cargo.site/t/original/i/W2413519102457802293604346376813/Screenshot-2025-03-27-at-13.56.04.png https://gdl525.com/left-info-panel---mobile 2026-03-24T11:57:26+00:00 always 0.5 https://freight.cargo.site/t/original/i/Y2413518964236348949298676118125/Screenshot-2025-03-27-at-13.56.04.png