Feral G
November 27 - December 12, 2022
Alexander Iezzi, MRZB
Curated by Filippo Tocchi & MRZB
PRESS RELEASE
ALEXANDER IEZZI, UNCUT DIN FERAL G (1 VIDEO, 1 TEXT)
FERAL G. Installation view (2022), GDL525. Photo: Ivan Cheng. [An installation view shows a portion of the living room. The photograph in a bluish light frames a sculpture by Alexander Iezzi, consisting of a black exagonal wooden table leaning lowered on its side with different objects attached on its top and a sculptural lantern-light on the floor, surrounded by wires. In the background in the right side of the picture a collage by MRZB shows the white low-relief of a figure extending in photographic fragments, sculptural excerpts and textiles of different sorts, framed in an alluminium casing]
FERAL G. Installation view (2022), GDL525. Photo: Ivan Cheng. [In the front, a black elongated leather-wooden chair with a red rag laid on its top, a black bowl of peanuts and a toy-head laid on the seater. On the left, Alexander Iezzi’s work, an assemblage of found, guest-delivered and prepared sculptural objects. On the right MRZB collage hanging on the wall]
Alexander Iezzi, Unfun Din Feral G, 2022. GDL 525. Photo: Ivan Cheng. [Details of Alexander Iezzi’s sculpture Unfun Din Feral G. The photographs frame a variety of objects such as a dutch-english dictionary, plastic flowers, stuffed toys, a black and white A4 print, wires, and small size puppet sculpture laid on pillows or squeezed in boxes]
FERAL G. Installation view (2022), GDL525. Photo: Ivan Cheng. [A photograph taken from the balcony at night shows an installation view of the exhbition, a thin horizontal window cuts the space on the left, a long exposure marks shadows and double the objects after light variations]
FERAL G. Installation view (2022), GDL525. Photo: MRZB. [The detail frames a low-black-leather two seaters square couch with a collage by MRZB hanged in the background]
MRZB, Kiki’s Boduir (Spleen at the Verge of Boredom), 2022. GDL525. Photo: MRZB. [A photograph of a collage, different portraits of an imagined representation of the character are juxtaposed and mixed with leather-textiles, fragments of a wig, framed by black feathers]
MRZB, Kiki’s Boduir (After the Mirrage), 2022, GDL525. Photo: MRZB. [A photograph of a collage, the low relief of feminine figure turning towards the viewer, expanded by textural leather inserts photographic prints and parts of a wig]
MRZB, Kiki’s Boduir (After the Mirrage), 2022, GDL525. Photo: MRZB. [A photograph of a collage, the low relief of feminine figure turning towards the viewer, expanded by textural leather inserts photographic prints and parts of a wig]
MRZB, A House for the Parts Lost (3 Moons in Scorpio), 2022, GDL525. Photo: MRZB. [A photograph of a collage of prints of miniaturised domestic spaces produced by the Artsit – a bed, a mirror, a harp, a figure behind a window, allegorical bars, a scorpio over-imposed on the images, cased in the frame]
MRZB, A House for the Parts Lost (Spleen 6), 2022, GDL525. Photo: MRZB. [A collage of spaces leaking into each other, collaged and stitched together, a line of teeth produces a face, patches of a butterfly, residual process-based material domestically framed signifiers]